Ramblings of a Sugar Addicted Artist

maskshop: wow giveaway!!! i just moved into the tiniest studio...

Sat, 25 May 2013 01:22:44 -0400

wow giveaway!!!
i just moved into the tiniest studio apartment with no real room for silly fandom stuff, so i’m gonna slowly give away the old homestuck plushies i have left. (also good news!! is that i have more time to sew new stuff for giveaways & i’m super close to getting my original pattern shop up and running!!)

so here we go: giveaway ends may 30th 2013! reblog and like only once. please be 18 or older or be sure you’re able to receive packages from strangers online. international shipping is a-ok.

p.s. kanaya glows when you press her head. wow Cool

thatlonelybarricade: videohall: Bird reacts to...

Fri, 24 May 2013 20:36:04 -0400

thatlonelybarricade:

videohall:

Bird reacts to dubstep

#best four seconds of my life tbh

troyesivan: STILL TRUE

Fri, 24 May 2013 17:41:51 -0400

troyesivan:

STILL TRUE

rennerei: Midnight crew mobsterdads #4

Fri, 24 May 2013 17:23:11 -0400

rennerei:

Midnight crew mobsterdads #4

witchimichi: when I get messages on tumblr (｡◕‿◕｡) when I get nice messages on tumblr щ(ಥДಥщ) when...

Fri, 24 May 2013 17:04:34 -0400

witchimichi:

when I get messages on tumblr (｡◕‿◕｡)

when I get nice messages on tumblr щ(ಥДಥщ)

when I start a conversation on tumblr ლ(́◉◞౪◟◉‵ლ)

when I make a new friend on tumblr (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

nannaia: Evolution of Chinese Clothing and Cheongsam Chinese...

Fri, 24 May 2013 16:46:07 -0400

nannaia:

Evolution of Chinese Clothing and Cheongsam

Chinese clothing has approximately 5,000 years of history behind it, but regrettably I am only able to cover 2,500 years in this fashion timeline. I began with the Han dynasty as the term hanfu (Chinese clothing) was coined in that period. Please bear in mind that this is only a generalized timeline of Chinese clothing primarily featuring aristocratic and upper-class ethnic Han Chinese women (the exceptions are Fig. 8 (dancer) and Fig. 11 (maid, due to the fact I couldn’t find many paintings in this period)).

My resources are mainly the books: 5,000 years of Chinese Costume, China Chic: East Meets West, and Changing Clothes in China: Fashion, History, Nation. 5,000 years of Chinese Costume is an invaluable resource (though sadly currently out of print), I would highly recommend this book if you can get your hands on it.

Han Dynasty:

“In the Han Dynasty, as of old, the one-piece garment remained the formal dress for women. However, it was somewhat different from that of the Warring States Period, in that it had an increased number of curves in the front and broadened lower hems. Close-fitting at the waist, it was always tied with a silk girdle.” (5,000 years of Chinese Costume, pg. 32)

Wei and Jin dynasties:

“On the whole, the costumes of the Wei and Jin period still followed the patterns of Qin and Han.” (5,000 years of Chinese Costume, pg. 54)

“From the costumes worn by the benefactors in the Dunhuang murals and the costumes of the pottery figurines unearthed in Louyang, it can be seen that women’s costumes in the period of Wei and Jin were generally large and loose. The upper garment opened at the front and was tied at the waist. The sleeves were broad and fringed at the cuffs with decorative borders of a different colour. The skirt had spaced coloured stripes and was tied with a white silk band at the waist. There was also an apron between the upper garment and skirt for the purpose of fastening the waist. Apart from wearing a multi-coloured skirt, women also wore other kinds such as the crimson gauze-covered skirt, the red-blue striped gauze double skirt, and the barrel-shaped red gauze skirt. Many of these styles are mentioned in historical records.” (5,000 years of Chinese Costume, pg. 65)

Southern and Northern Dynasties:

“During the Wei, Jin and the Southern and Northern Dynasties, though men no longer wore the traditional one-piece garment, some women continued to do so. However, the style was quite different from that seen in the Han Dynasty. Typically the women’s dress was decorated with xian and shao. The latter refers to pieces of silk cloth sewn onto the lower hem of the dress, which were wide at the top and narrow at the bottom, so that triangles were formed overlapping each other. Xian refers to some relatively long ribbons which extended from the short-cut skirt. While the wearer was walking, these lengthy ribbons made the sharp corners n the lower hem wave like a flying swallow, hence the Chinese phrase ‘beautiful ribbons and flying swallowtail’.” (5,000 years of Chinese Costume, pg. 62)

“During the Southern and Northern Dynasties, costumes underwent further changes in style. The long flying ribbons were no longer seen and the swallowtailed corners became enlarged. As a result the flying ribbons and swallowtailed corners were combined into one.” (5,000 years of Chinese Costume, pg. 62)

Sui Dynasty:

“During the period of the Sui and early Tang, a short jacket with tight sleeves was worn in conjunction with a tight long skirt whose waist was fastened almost to the armpits with a silk ribbon. In the ensuing century, the style of this costume remained basically the same, except for some minor changes such as letting out the jacket and/or its sleeves.” (5,000 years of Chinese Costume, pg. 88)

Tang Dynasty:

“The Tang Dynasty was the most prosperous period in China’s feudal society. Changan (now Xian, Shananxi Province), the capital, was the political, economic and cultural centre of the nation. […] Residents in Changan included people of such nationalities as Huihe (Uygur,) Tubo (Tibetan), and Nanzhao (Yi), and even Japanese, Xinluo (Korean), Persian and Arabian. Meanwhile, people frequently travelled to and fro between countries like Vietnam, India and the East Roman Empire and Changan, thus spreading Chinese culture to other parts of the world.” (5,000 years of Chinese Costume, pg. 76)

“…all the national minorities and foreign envoys who thronged the streets of Changan also contributed something of their own culture to the Tang. Consequently, paintings, carvings, music and dances of the Tang absorbed something of foreign skills and styles. The Tang government adopted the policy of taking in every exotic form whether or hats or clothing, so that Tang costumes became increasingly picturesque and beautiful.” (5,000 years of Chinese Costume, pg. 88)

“Women of the Tang Dynasty paid particular attention to facial appearance, and the application of powder or even rouge was common practice. Some women’s foreheads were painted dark yellow and the dai (a kind of dark blue pigment) was used to paint their eyebrows into different shapes that were called dai mei (painted eyebrows) in general.” (5,000 years of Chinese Costume, pg. 89)

“In the years of Tianbao during Emperor Xuanzong’s reign, women used to wear men’s costumes. This was not only a fashion among commoners, but also for a time it spread to the imperial court and became customary for women of high birth.” (5,000 years of Chinese Costume, pg. 89)

Song Dynasty

“The hairstyle of the women of the Song Dynasty still followed the fashion of the later period of the Tang Dynasty, the high bun being the favoured style. Women’s buns were often more than a foot in height.” (5,000 years of Chinese Costume, pg. 107)

“Women’s upper garments consisted mainly of coat, blouse, loose-sleeved dress, over-dress, short-sleeved jacket and vest. The lower garment was mostly a skirt.” (5,000 years of Chinese Costume, pg. 107)

“Women in the Song Dynasty seldom wore boots, since binding the feet had become fashionable.” (5,000 years of Chinese Costume, pg. 107)

“Although historians do not know exactly how or why foot binding began, it was apparently initially associated with dancers at the imperial court and professional female entertainers in the capital. During the Song dynasty (960-1279) the practice spread from the palace and entertainment quarters into the homes of the elite. ‘By the thirteenth century, archeological evidence shows clearly that foot-binding was practiced among the daughters and wives of officials,’ reports Patricia Buckley Ebrey […] Over the course of the next few centuries foot binding became increasingly common among gentry families, and the practice eventually penetrated the mass of the Chinese people.” (Chinese Chic: East Meets West, pg. 37-38)

Yuan Dynasty:

“Han women continued to wear the jacket and skirt. However, the choice of darker shades and buttoning on the left showed Mongolian influence.” (5,000 years of Chinese Costume, pg. 131)

“After the Mongols settled down in the Central Plains, Mongolian customs and costumes also had their influence on those of the Han people. While remaining the main costume for Han women, the jacket and skirt had deviated greatly in style from those of the Tang and Song periods. Tight-fitting garments gave way to big, loose ones; and collar, sleeves and skirt became straight. In addition, lighter more serene colours gained preference.” (5,000 years of Chinese Costume, pg. 142)

Ming Dynasty:

“The clothing for women in the Ming Dynasty consisted mainly of gowns, coats, rosy capes, over-dresses with or without sleeves, and skirts. These styles were imitations of ones first seen in the Tang and Song Dynasties. However, the openings were on the right-hand side, according to the Han Dynasty convention.” ((5,000 years of Chinese Costume, pg. 147)

“The formal dress for commoners could only be made of coarse purple cloth, and no gold embroidery was allowed. Gowns could only in such light colours as purple, green and pink; and in no case should crimson, reddish blue or yellow be used. These regulations were observed for over a decade, and it was not until the 14^th year of Hong Wu that minor changes were made.” (5,000 years of Chinese Costume, pg. 147)

Qing Dynasty

When China fell under Manchurian rule, Chinese men were forced to adopt Manchurian customs. As a sign of submission, the new government made a decree that men must shave their head and wear the Manchurian queue or lose their heads. Many choose the latter.

On the other hand, Chinese women were not pressured to adopt Manchurian clothing and fashions. “Women, in general, wore skirts as their lower garments, and red skirts were for women of position. At first, there were still the “phoenix-tail” skirt and the “moonlight” skirt and others from the Ming tradition. However the styles evolved with the passage of time: some skirts were adorned with ribbons that floated in the air when one walked; some had little bells fastened under them: others had their lower edge embroidered with wavy designs. As the dynasty drew to an end, the wearing of trousers became the fashion among commoner women. There were trousers with full crotches and over trousers, both made of silk embroidered with patters.” (5,000 years of Chinese Costume, pg. 173)

The Manchurians attempted several times to eradicate the practice of foot-binding, but were largely unsuccessful. Manchurian women admired the gait of bound women but were effectively banned from practicing food-binding. Hence, a “flower pot shoe” later came into creation and it allowed its wearer the same unsteady gait but without any need for foot-binding.

Republic Era

Women traditionally bound their breasts in the Ming and Qing dynasties with tight fitting vests and continued to do so in the early 20^th century.

“The vests were called xiaomajia ‘little vest’ or xiaoshan ‘little shirt” “used by Chinese women as underclothing for the upper part of the body.” (Changing Clothes in China: Fashion, History, Nation: Finnane pg 162) “Doudu [is] a sort of apron for the upper body […] in former times the doudu had been worn by everyone, old and young, male and female. The young wore red, the middle-aged wore white or grey-green, the elderly wore black. A little pocket sewn into the top was used by adults to secrete them money and by children their sweets. When a girl got engaged, she would show off her embroidery skills by sending an elaborately worked doudu to her fiancé, decorated with bats for good forturne and pomegranates, symbolizing many sons.” (Changing Clothes in China: Fashion, History, Nation: Finnane pg 162)

A ban on bound breasts began in 1927, in which the government started advocating for the “Natural Breast Movement”. Despite this, bound breasts still widely continued into the 1930s. The government also banned earrings as it fell under the criteria of deforming the natural body. The 1930s also saw the introduction of the western/French bra come to Shanghai.

“The little vest was designed to constrain the breasts and streamline the body. Such a garment was necessary to look comme il faut around 1908, when (as J. Dyer Ball observed): ‘fashion decreed that jackets should fit tight, though not yielding to the contours of the figure, except in the slightest degree, as such an exposure of the body would be considered immodest.’ It became necessary again in the mid-twenties, when the jacket-blouse—a garment cut on rounded lines – began to give way to the qipao. At this stage, darts were not used to tailor the bodice or upper part of the qipao, nor would they be till the mid-fifties. The most that could be done by way of further fitting the qipao to the bosom was to stretch the material at the right places through ironing. Under these circumstances, breast-binding must have made the tailor’s task easier.” (Finnane 163, Changing Clothes in China: Fashion, History, Nation)

Successful eradication of bound feet would not come until the 1949 when the People’s Republic of China came into power.

1950s-1960’s

Under the People’s Republic of China, very few mainland women wore the cheongsam, save for ceremonial attire. Clothing became de-sexualized for mainlanders.

It was the flip side in Hong Kong, as the cheongsam continued its function as everyday wear which lasted until the late 1960s. The cheongsam in the 1950s and 1960s became even tighter fitting to further accentuate feminine curves. Western clothing became the default after the late 1960s, though the cheongsam continued to survive as uniforms for students (who donned a looser and androgynous version), waitresses, brides, and beauty contestants.

21^st century

Designers today are creating new forms of the qipao/cheongsam. The mermaid tail appears to be a current popular trend.

amandaonwriting: Bloodstain Pattern Analysis (BPA) - Resource...

Fri, 24 May 2013 16:27:12 -0400

amandaonwriting:

Bloodstain Pattern Analysis (BPA) - Resource for Crime Writers

SOURCE

bardofpizza: The Viceroy is blessing your bloge.

Fri, 24 May 2013 16:08:45 -0400

bardofpizza:

The Viceroy is blessing your bloge.

Photo

Fri, 24 May 2013 15:50:05 -0400

GC: 1M JUST S4Y1NG GC: 1T 1SNT 34SY FOR 4NYON3 TO F4C3 TH31R...

Fri, 24 May 2013 15:31:43 -0400

GC: 1M JUST S4Y1NG
GC: 1T 1SNT 34SY FOR 4NYON3 TO F4C3 TH31R OWN D34TH
GC: 3V3N 1F TH3 CONS3QU3NC3 1S TO TH31R B3N3F1T

alicexz: This is like the artist’s version of when people tell...

Fri, 24 May 2013 15:12:57 -0400

alicexz:

This is like the artist’s version of when people tell girls “if you don’t want to get raped don’t walk down the street in a short skirt” basically

Photo

Fri, 24 May 2013 14:54:11 -0400

"Abortion seems to be the only medical procedure that people want to deny you based on how you got in..."

Fri, 24 May 2013 14:35:21 -0400

“

Abortion seems to be the only medical procedure that people want to deny you based on how you got in that situation.

Drove drunk, got in an accident and need an organ transplant? No problem.

Messing around with a gun, accidentally shoot yourself in the leg and need surgery? Of course.

Smoke tobacco for most of your life and need treatment for lung cancer? Yep.

Climb a tree, fall out and break your leg? We’ll fix that right up.

Have sex and get pregnant when you don’t want to be? YOU GOT YOURSELF INTO THIS SITUATION AND YOU DESERVE NO MEDICAL HELP OR COMPASSION! THIS IS YOUR FAULT AND YOU WILL DEAL WITH THE CONSEQUENCES!

”

- Worry About Your Own Uterus: (via punkrockmermaid)

Photo

Fri, 24 May 2013 14:17:13 -0400

mustachossom: Now it’s time to close your tired eyes [x]

Fri, 24 May 2013 13:58:24 -0400

mustachossom:

Now it’s time to close your tired eyes [x]

fuckingrapeculture: Whenever a dude says “I hate feminists” what they really mean is “I hate women,...

Fri, 24 May 2013 13:40:05 -0400

fuckingrapeculture:

Whenever a dude says “I hate feminists” what they really mean is “I hate women, especially ones who have opinions that challenge my superiority”

Hate of feminists is just misogyny. Plain and simple. You can spin is however you want, but that’s what it is.

"Why Society Still Needs Feminism Because to men, a key is a device to open something. For women,..."

Fri, 24 May 2013 13:21:21 -0400

“

Why Society Still Needs Feminism

Because to men, a key is a device to open something. For women, it’s a weapon we hold between our fingers when we’re walking alone at night.

Because the biggest insult for a guy is to be called a “pussy,” a “little bitch” or a “girl.” From here on out, being called a “pussy” is an effing badge of honor.

Because last month, my politics professor asked the class if women should have equal representation in the Supreme Court, and only three out of 42 people raised their hands.

Because rape jokes are still a thing.

Because despite being equally broke college kids, guys are still expected to pay for dates, drinks and flowers.

Because as a legit student group, Campus Fellowship does not allow women to lead anything involving men. Look, I know Eve was dumb about the whole apple and snake thing, but I think we can agree having a vagina does not directly impact your ability to lead a
college organization.

Because it’s assumed that if you are nice to a girl, she owes you sex — therefore, if she turns you down, she’s a bitch who’s put you in the “friend zone.” Sorry, bro, women are not machines you put kindness coins into until sex falls out.

Because only 29 percent of American women identify as feminist, and in the words of author Caitlin Moran, “What part of ‘liberation for women’ is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? Did all that good shit get on your nerves? Or were you just drunk at the time
of the survey?”

Because when people hear the term feminist, they honestly think of women burning bras. Dude, have you ever bought a bra? No one would burn them because they’re freaking
expensive.

Because Rush Limbaugh.

Because we now have a record number of women in the Senate … which is a measly 20 out of 100. Congrats, USA, we’ve gone up to 78th place for women’s political representation, still below China, Rwanda and Iraq.

Because recently I had a discussion with a couple of well-meaning Drake University guys, and they literally could not fathom how catcalling a woman walking down University Avenue is creepy and sexist.
Could. Not. Fathom.

Because on average, the tenured male professors at Drake make more than the tenured female professors.

Because more people on campus complain about chalked statistics regarding sexual assault than complain about the existence of sexual assault. Priorities? Have them.

Because 138 House Republicans voted against the Violence Against Women Act. All 138 felt it shouldn’t provide support for Native women, LGBT people or immigrant women. I’m kind of confused by this, because I thought LGBT people and women of color were also human beings.
Weird, right?

Because a girl was roofied last semester at a local campus bar, and I heard someone say they think she should have been more careful. Being drugged is her fault, not the fault of the person who put drugs in her drink?

Because Chris Brown beat Rihanna so badly she was hospitalized, yet he still has fans and bestselling songs and a tattoo of an abused woman on his neck.

Because out of 7 billion people on the planet, more than 1 billion women will be raped or beaten in their lifetimes. Women and girls have their clitorises cut out, acid thrown on them and broken bottles shoved up them as an act of war. Every second of every day. Every corner of the Earth.

Because the other day, another friend of mine told me she was raped, and I can no longer count on both my hands the number of friends who have told me they’ve been sexually assaulted. Words can’t express how scared I am that I’m getting used to this.

Because a brief survey of reality will tell you that we do not live in a world that values all people equally and that sucks in real, very scary ways. Because you know we live in a sexist world when an awesome thing with the name “feminism” has a weird connotation. Because if I have kids someday, I want my son to be able to have emotions and play dress up, and I want my daughter to climb trees and care more about what’s in her head than what’s on it. Because I don’t want her to carry keys between her fingers at night to
protect herself.

Because feminism is for everybody, and this is your official invitation.

”

- Caitlin O’Donnell, Drake University. (via on-another-note)

Photo

Fri, 24 May 2013 13:02:43 -0400

kitadashi: あたしは”シャイニィシャリオ”！ by 入绘由君

Fri, 24 May 2013 12:44:04 -0400

kitadashi:

あたしは”シャイニィシャリオ”！ by 入绘由君

dynaroo: poppyparrotlet: By way of Parrotlet Babies. (I like...

Fri, 24 May 2013 12:25:20 -0400

dynaroo:

poppyparrotlet:

By way of Parrotlet Babies.

(I like the p’let in the background of the bottom picture.)